The Influence of Jean-Michel Basquiat

Often regarded as one of the most influential artists of the past several decades, Jean-Michel Basquiat’s work has affected the artistic lives of many. His artworks reflect his life experiences and his personality. He was an artist who died at a young age, yet he had a huge impact on the art world.

Jean-michel Basquiat

Early life

Throughout his early life, Jean-Michel Basquiat displayed his artistic talents. As a young boy, he was enrolled in the Juniors at the Brooklyn Museum. He also participated in the downtown punk scene.

In the 1980s, Basquiat was associated with the surge of urban art in the downtown areas of New York City. His style combined elements of Abstract Expressionist painting with graffiti. He tagged subway trains and Manhattan buildings. He also painted words. He referred to his mother in many of his paintings.

At the age of eight, Basquiat was hit by a car. After the accident, he was hospitalized for a while. He was later adopted by a friend’s family. In the ensuing years, he became a self-taught artist. He was fluent in French and Spanish, and had a keen interest in art museums. He sold his artwork on postcards.

In his work, Basquiat’s figurative figures were heavily loaded with symbolism. He depicted a griot, a West African figure, as a hero and an authority figure. He also alluded to African American historical figures.

Basquiat’s works often featured a skeleton, which represents death. It can be seen as dragging the African figure towards the far side of the frame. Using his technique, which included dynamic dashes of line, Basquiat mixed motifs from African and Aztec cultures with popular culture. He also adapted historical imagery, a practice that reflects his own angst.

At age 17, Basquiat dropped out of high school. He lived with his father in Puerto Rico for several years before returning to New York. He exhibited his artwork at the Museum of Modern Art in 1981. He had his first one-man show in February 1982. His paintings sold out the entire show.

He later went on to exhibit his work at Documenta in Kassel, Germany. In addition, he had a posthumous retrospective at the Brooklyn Museum in 2005. He also was the subject of Julian Schnabel’s 1996 film Basquiat. He was known to hang out with Keith Haring and Andy Warhol.

His style of art included splashing ruins with white paint, and slashes of line. He also mixed high art references with a variety of popular culture.

Rise to fame

During the mid-1980s, an artist known as Jean-Michel Basquiat rose to fame. His work became a focal point for an explosion of downtown art in New York. His paintings were viewed as a commentary on Black experience and social issues of the day. He was one of the first African-American artists to reach international acclaim. But, like other artists who have made a name for themselves, his fame was not easy to maintain.

He fought with fame and addiction. He was a drug addict. He had a difficult childhood. He was raised by a Puerto Rican mother and a Haitian American father. He saw American history as rife with invisibility and paternalism. He saw his status in a small circle of writers, dealers, and collectors. He was also worried about becoming a gallery mascot. He turned to hard drugs to cope. He died at the age of 27 from an overdose of heroin.

Although Basquiat had a very short but influential career, his impact on the art world remains resonant. His paintings still make waves over 30 years after his death. His edgy personality and graphic style helped him gain a following and become a cultural icon of the New York City art scene.

The emergence of the overtly commercial art scene of the mid-1980s coincided negatively with an artificial bubble economy that damaged the quality of artworks and personally affected artists. Many people were involved in collecting because they were trying to make money. Eventually, collecting became trendy.

By the time he was 18, Basquiat had enrolled in a private art school. He also participated in group exhibitions. His works were exhibited internationally from 1982 to 1988. His fame increased rapidly, and he was spotted frequently with other famous artists, such as Andy Warhol. He was also featured on the cover of The New York Times Magazine in 1985.

He left behind 85 prints and 917 drawings. His estate credits him with 500 to 600 canvases. He left behind 25 sketchbooks. Upon his death, his estate was valued at $33 million.

His work is regarded as a defining moment in the history of twentieth century art. His evocative paintings reveal his relationship with the world.

Influence on other artists

Despite the short life of Jean-Michel Basquiat, his influence on other artists has been tremendous. The artist was a recognizable figure in the downtown New York art scene in the early 1980s, and his work is emblematic of that time’s art world recognition of punk. His works are also indicative of the wider Black Renaissance, which was defined by the widespread attention given to the work of Jacob Lawrence and Faith Ringgold.

He started his artistic career as a graffiti artist, and later moved to studio work. His paintings frequently combine historical imagery with energetic colors, and often explore issues of colonialism, race, and systemic oppression. He also incorporates poetry into his work.

He was the youngest artist to ever be included in Documenta, an international contemporary art extravaganza held in Kassel, Germany, and his work has been influenced by artists throughout North America and Europe. He was also a prominent member of the Neo-Expressionism movement, which marked the return of the human figure in contemporary art.

He was a prolific painter and a keen athlete. In his youth, he enjoyed comic books and cartoons. He also had a fondness for jazz. During the late 70s, he was involved in an underground graffiti culture in New York. He was often seen with pop artist Andy Warhol. He later began to exhibit regularly with David Salle.

The artist is credited with developing a signature motif of a heroic, black oracle figure. He uses symbols to express his themes, and references Hobo signs and Skelly Court (a children’s game) in his paintings. He also references the human body in his paintings, and frequently employs crowns as a symbol of his status and status as a person of color.

His work is highly stylized, and seems to draw its inspiration from traditional African painting styles. Its subject matter is reminiscent of later African tribal art. It is accompanied by a brown, textured background, which recalls prehistoric cave art.

His work also references a host of other artists, such as the poet and artist Dizzy Gillespie, the rock musician Keith Haring, and the rap group Sugar Ray Robinson. He was also a collaborator with visual artist Fab 5 Freddy.


During the 1980s, Jean-Michel Basquiat became one of the most successful Neo-expressionist painters of his generation. He became a fixture in the glittering New York art scene. He also had a number of museum exhibitions in New York.

Jean-Michel Basquiat was born in Brooklyn in 1960. He was the son of Gerard and Mathilde Basquiat. He was raised in the Boerum Hill neighborhood of Brooklyn. His parents separated when he was eight. During his childhood, he attended school sporadically. His mother was committed to a psychiatric hospital when he was 10 years old. She eventually returned to live with her parents.

He was enrolled as a Junior Member of the Brooklyn Museum at the age of six. He also participated in track events at his school. When he was a teenager, he dropped out of school. He attended City-As-School, a school for artistic students who failed conventional school. His family moved to Miramar, Puerto Rico, in 1974.

Jean-Michel Basquiat’s works are filled with symbolism. The central figure in Riding with Death, for instance, is a Black figure riding a skeleton. His cartoonish proportions resemble gestural graffiti. His crown of three peaks is a recurring motif. The subject matter is reminiscent of later African tribal art.

Riding with Death is part of a series of works by Basquiat. He painted the image months before his overdose. His mother brought the painting to the hospital.

His work has been admired by many artists in North America, Asia, and Europe. His oeuvre is now considered to be a defining moment of the 20th century. His works also have influenced a number of musicians and performers. He was featured on the cover of the New York Times Magazine in 1985.

The painter is believed to have been a regular user of heroin by the time of his death. He claimed to have used 100 bags of the drug a day before his death. However, tests by the New York City medical examiner will continue for several days.

In addition to his paintings, Jean-Michel Basquiat left behind nineteen sketchbooks, 85 prints, and 917 drawings. He also was the subject of an article by Rene Ricard in Artforum magazine in 1981.