The Landscape Paintings of Jean-Baptiste Camille Corot

Throughout the history of art, a number of artists have had a strong influence on the evolution of painting. One of these artists is Jean-Baptiste Camille Corot, who was known for his neoclassical style of painting. Whether he was painting portraits or landscapes, Corot’s paintings influenced the works of other artists, including Claude Monet and Pierre-Auguste Renoir.

Jean-baptiste Camille Corot

Early dedication to Neoclassical painting

During the early years of his career, Jean-Baptiste Camille Corot focused on landscapes. He traveled extensively through France and Italy. In 1827, he sent his first paintings to the Paris Salon. His painting, View at Narni, was inspired by the ruins of Roman cities in dusty bright sunlight. This painting is now in the National Gallery of Canada in Ottawa.

As a young man, Corot studied art with Achille Etna Michallon. Michallon was a well-respected landscape painter. He taught Corot about the art of texture, patterns and colours. In late 1822, Corot switched to Michallon’s studio. He spent the next eight years there, learning to develop his own style. He also gained artistic training from Bertin, a pupil of Pierre-Henri de Valenciennes.

Throughout his life, Corot travelled to Italy, Naples and Venice. His paintings of these areas often depict strong, pure colour and fine compositions. He also explored the topographical conditions of different regions.

In 1833, Corot received a second-class medal at the Paris Salon. He won a gold medal at the Exposition Universelle in 1855. He was awarded the cross of the Legion d’Honneur in 1846.

Corot also travelled to Switzerland, England and Italy. He painted portraits of his family and friends. He was an active member of the Paris Salon. He was a leader of the Barbizon School.

Corot never incorporated large railways or steam engines into his works. His paintings are based on his own memories of real landscapes. He used darker and lighter tones to give depth to compositions. He also tended to use a limited range of colours.

Corot’s works have influenced several generations of French landscape painters. He also helped launch the impressionist movement. He was a pioneer in the genre of ‘Souvenirs’, which depicts figures in generic landscapes. These paintings are characterized by a sense of mystery and a lyrical, contemplative quality.

He was a prolific painter, producing several hundred landscapes. In the 1850s, his style became more sensitive. He also shifted his focus towards religious themes. He was a key source of inspiration for the Impressionists.

Relationship with the Impressionists

Known for his landscapes, Jean-Baptiste Camille Corot was a French painter. His works were important in the development of the Impressionist movement. His painting technique and taste for colour were highly influential.

Corot’s first important work was exhibited at the Paris Salon in 1827. He painted a large landscape of Fontainebleau that won a second class medal. His work was also exhibited at the Salon of 1833.

The following year, Corot traveled to Italy for six months. He studied the art of the Italian Renaissance masters in Rome. He continued to paint outdoors, drawing from the landscape in his surroundings. He later returned to the town of Ville-d’Avray.

He painted decorative panels in the homes of friends. He spent the spring and summer painting outdoors. He traveled to France and Italy repeatedly throughout his lifetime. He returned to the Italian countryside in 1834.

In his paintings, Corot incorporated Neoclassical influences from Claude Lorrain. He avoided shocking colors, preferring to create a neutral, restrained palette. His landscapes had a dreamlike quality. He often portrayed classical-inspired figures working in natural settings. His paintings also incorporated religious motifs into the natural setting.

After his death, Edgar Degas and Pablo Picasso paid tribute to Corot’s influence on their own artistic styles. Claude Monet praised his work in 1897.

He was a pivotal figure in the history of modern art. His style and approach to painting was a key component of the Impressionist Movement. He helped bridge the academic style of the early 19th century with the more naturally-minded art movements of the late 1850s.

His works are found in both Europe and North America. His influence on the development of the Impressionists can be seen in their use of soft color palettes and delicate brushwork.

His works are widely acclaimed as a precursor to the focus on the common life of the Impressionists. He is also credited with helping to establish landscape painting as a valued genre in French art. His works have been collected by museums across the world.

Jean-Baptiste Camille Corot died on February 22nd, 1875. His tomb was located at the Pere Lachaise cemetery in Paris. His paintings are exhibited at the Grand Palais in Paris.


During his lifetime, Jean-Baptiste Camille Corot was one of the most celebrated French landscape painters. His paintings are found across Europe and America, as well as in the United Kingdom. He is considered a key figure in the development of Impressionism.

In the 1860s, Corot formulated a new kind of landscape painting. His compositions are based on the standardized elements of a traditional composition, but he used silvery tones to evoke a wistful mood. In addition, his works often used low tonal contrast to create depth. He also used a limited palette of colors in his landscapes. This was a result of his failing health, which restricted his ability to travel.

In the 1840s, Corot was a popular figure in Parisian art circles, but his reputation remained tainted by his early studies. His reputation gradually grew. In the 1850s, Philippe de Chennevieres declared him to be “the greatest landscape painter of our time.” However, the recognition didn’t come fast. His first major success was A Morning, a work that signaled a major transition in nineteenth-century landscape painting.

This was Corot’s first widely exhibited landscape, and it marked a turning point in his career. It was shown to great acclaim at the Salon of 1864. Similarly, Souvenir of Mortefontaine is an important example of the lyrical style of later landscapes. Its allegorical grandeur is a far cry from the Neoclassical style of Corot’s earlier works.

Corot’s landscapes often had a dreamlike quality, and his portraits of women were serene and tranquil. They feature looser brushwork and a melancholy atmosphere. He also experimented with materials and methods of drawing. He drew women holding flowers and musical instruments, and he often used figures incidentally in his works.

Although his style changed in the 1860s, Corot maintained a strong love of landscape painting. He remained committed to his craft until his death. Throughout his life, he travelled to Italy and Europe, gaining inspiration from the scenery. He returned to his home in Ville-d’Avray to paint scenes of the surrounding area. His paintings of the Forest of Fontainebleau are particularly significant.


During his lifetime, Camille Corot made several trips to Italy. He visited Rome and Naples. He also studied Flemish and seventeenth century Dutch art. He was interested in the effects of light and tonal changes on revealing form.

He had close contact with the Barbizon School of painters. These painters were striving to free the French landscape of mythological baggage. They painted only what they saw.

The Barbizon School’s influence on Corot’s style was evident in his paintings of the forest of Fontainebleau. He spent a great deal of time and energy on rendering the subject in its natural setting.

Corot’s portraits of women were tranquil and melancholy. Their figures stare directly at the viewer. This type of painting was considered scandalous in his day.

Then in the mid-1840s, Corot became friends with the Barbizon painter Theodore Rousseau. These two men discussed the nature of landscape painting. This was a precursor to the Impressionist movement.

In the 1850s, Corot’s work began to be viewed more positively by the establishment. He was given increasing numbers of honours. He was named the leader of the “modern school of landscape painting” by Charles Baudelaire.

Corot had a strong relationship with his parents. They lived in the village of Ville-d’Avray. He inherited his father’s strong physique and good health. His mother was Swiss.

Throughout his life, Corot was devoted to painting. He died in Paris of stomach disorder at the age of 78. He was buried in the Pere Lachaise Cemetery. His work was praised by Edmond de Goncourt and others.

He was an important figure in the development of Realism. He helped develop the concept of immediacy in painting. His style of painting emphasized the use of complementary colors. He often used the darker and lighter tones to create depth. He worked most prolifically during the spring and summer.

In addition, he was very popular with collectors. His works were bought by a number of prominent aristocrats. These acquisitions increased his visibility. His works were accepted to the Salon of 1833 and 1827. However, most of his paintings were never exhibited.