Georges Braque – The Forefather of Cubism

Whether you know of Georges Braque or not, he was a prominent French painter, and his work influenced a number of different art movements. His style is known for its representation of light and shadow, and he is considered one of the most important artists of the twentieth century.

Georges Braque

Early life

Among the most influential French painters of the twentieth century, Georges Braque was the inventor of Cubism. His work has been exhibited in almost every major museum in the world. In addition to his paintings, Braque also produced lithographs and engravings.

Braque grew up in Le Havre and studied at the Ecole des Beaux-Arts. He subsequently apprenticed with a master decorator in Paris. His father was a house painter and decorator. He also served in the French army during World War I. He was wounded in 1917. After recovering, Braque moved on to new forms of painting. His art was highly influenced by Maurice de Vlaminck, Henri Matisse, and Andre Derain.

In the early years, Braque’s works were painted in a highly impressionist style. He also experimented with different brush strokes and different paint qualities. However, the artist’s work became more abstract and freer in the 1920s and 1930s. His still life subjects drew heavily on automatism and surrealism.

In 1907, Braque showed his Fauve-style paintings in the Salon des Independants. He later started studying Paul Cezanne. During his studies, Braque met Francis Picabia. His study of the Impressionists led him to develop a keen interest in colour and texture. He began to imitate the surface of marble and gilt. He started to study the effects of illumination and perspective. He also began to study the works of artists like Delaunay and Orphism.

Braque worked with Pablo Picasso on a series of papier colle pieces in 1912. By 1911, both Picasso and Braque had similar styles. The two artists worked together to create Cubism. The works of both artists were modeled after Braque’s paintings.

After the First World War, Braque stayed in Paris. He painted somber scenes in his paintings during World War II. He also developed a new interest in geometry and concurrent perspective. He also began to create sculpture and prints. He also won the First Prize at the Carnegie International in 1937.


During the early twentieth century, Georges Braque and Pablo Picasso teamed up to create one of the most important art movements of the time: Cubism. Their work together paved the way for many subsequent developments in artistic history. Their work was intense and creative throughout their lifetimes. It was an enormously valuable cultural legacy.

Cubism broke with centuries of tradition. It interpreted the essence of an object from different viewpoints. It used multiple objects and colors to produce a more complex result. It also questioned the use of a single vantage point.

While there were some similarities between the art of Braque and that of Picasso, their styles differed notably. For example, Braque’s early works were primarily in the Impressionist style. He spent a summer in Antwerp with Othon Friesz and his style changed. He began making sculptures and engravings. His paintings later became more realistic.

By the 1920s, Braque’s fame was on the rise. He had a successful exhibition in Paris and began designing decor for two Sergei Diaghilev ballets. He also began painting mythological subjects and started making jewelry.

In the 1940s, birds would become a recurring theme in his work. His art eventually merged with the Fauve movement. He moved to Paris during World War II, where he continued his sculptures and still lifes. His art would continue to evolve into his later years.

The Black Square is an exceptional example of the creative genius of Avant-Garde artists. It is said to have had a profound influence on generations of young artists. Its premise was that artistic revolution could not be limited to the traditional concepts of beauty. It referred to the idea that the true reality is to be found in a freer, less-defined society.


Known as the forefather of Cubism, Georges Braque is a French painter. He was a close friend of Pablo Picasso. In 1912, the two artists developed the technique of papier colles. The resulting art pieces paved the way for other modern art movements.

After meeting Picasso, Braque adopted a more cubist style. He became interested in musical themes, and his works depicted stringed instruments such as the clarinet and bottle of rum on the mantlepiece. His paintings also featured the bird motif. He used earth-toned colors to cover black-outlined objects. His artworks were often elaborated over a long period of time.

Braque’s work is an exploration of relationships between form and color. He used a variety of brush strokes and different paint qualities. He also used collage techniques. His use of cut-up advertisements was an early foreshadowing of the modern art movements that critiqued the media.

After studying art at night when he was 15 years old, Braque entered the Academie Humbert in Paris. He was introduced to Pablo Picasso by his friend, Guillaume Apollinaire. During the course of his studies, Braque studied the work of other artists such as Matisse and Cezanne.

Braque’s first works were in a Fauvist style. He exhibited a series of six canvases at the Salon des Independants in May 1907.

He later joined the Fauves, and became their youngest member. When he visited Pablo Picasso in the Pyrenees, Braque was disconcerted by the artist’s Les Demoiselles d’Avignon. He felt that the work was insensitive to the human figure.

He also studied Paul Cezanne and his works influenced his style. He also met Marie Laurencin and Francis Picabia. After he met Picasso, he stopped painting in a Fauvist style and embraced a more cubist aesthetic.


Among the many works by Georges Braque is a series of still lifes called the Vanitas. These works are characterized by a bright colour scheme and an emphasis on form. A rum bottle, for example, symbolizes the intoxication that the viewer feels after drinking a drink, while a skull resembles a figure that reflects the artist’s own mortality.

The theme of Braque’s studio also plays an important role in the Vanitas series. The painting titled “Vanitas I” was the first of several related works, which Braque created over the next six years. It was painted in 1938. It is now in the Kreeger Museum in Washington, D.C.

The book includes reproductions of the work, as well as aesthetic analyses of the artist’s work. It is a significant contribution to Braque scholarship. It also traces the history of Braque’s methods and the materiality of his paintings.

The exhibition is co-organized by The Phillips Collection in Washington, D.C., and the Mildred Lane Kemper Art Museum at Washington University in Saint Louis. The book is published by PrestelDel Monico. It is accompanied by a fully illustrated catalogue.

In addition to its contribution to Braque scholarship, the book represents a body of critical thought connecting art, philosophy and politics. The works of Georges Braque are often associated with Picasso, but Braque and Picasso disagreed on many issues. The two men disagreed on their perception of visual space and iconological critique.

Unlike Picasso, Braque favored a more horizontal approach to his paintings. After studying at the Ecole des Beaux-Arts in Le Havre, he studied at the Academie Humbert in Paris. He was trained as a decorator, which is believed to have influenced his approach to art. He also received a craftsman’s certificate in 1901.

Still lifes

During the second half of the twentieth century, still lifes by Georges Braque were an essential part of the artistic investigation into how humans perceive and interact with their environment. These works prioritised the study of shape and colour and explored the relationship between objects.

The still life as a genre allowed for endless opportunities for formal investigations. The significance of the objects is largely determined by their relation to each other. This exhibition demonstrates how the genre has changed over time.

During the first half of the twentieth century, the still life genre was considered to be a secondary subject. However, it was a central focus for Pablo Picasso’s experiments. In addition to working on a large, complex canvas, he also experimented with paper collages. These pieces were made out of geometric paper fragments. The result was an abstract style that introduced real textures into the still life painting.

Braque’s use of paper collages was an early indication of the modern art movement’s critical engagement with media. He would cut up advertisements and glue them into his paintings to create new compositions. He believed that the media should be criticised, just as he did his own work.

By the 1930s, Braque’s work had become more abstract. He had mastered the use of experimental materials and techniques. His still lifes were often made up of overlapping patterns and rhythmic movement. He used a variety of surfaces, including sand, pigments, and charcoal, to evoke the material quality of the object.

He exhibited in the major international exhibitions of the 1930s, including the Paris Salon d’Automne, the Venice Biennale, and the New York Armory Show. He was the first living artist to have an exhibition at the Louvre. In 1951, he won the Legion d’Honneur.